News

This page features all the latest exhibitions. See the talks and workshops pages for information on those forthcoming events. Find new publications, interviews and TV coverage and podcasts here. For past exhibitions see the specific project pages or biography information.

Anna Dumitriu selected as Grand Prize Winner of Microbe Art 2020

“Pneumothorax Machine” by Anna Dumitriu

Anna Dumitriu is pleased to announce that she was awarded the Grand Prize: Best Art Overall in the Microbe Art 2020 Competition by the Federation of European Microbiology Societies (FEMS) as part of International Microorganism Day on 17th September 2020. In awarding the prize FEMS stated “CONGRATULATIONS Anna Dumitriu! We loved so many of your pieces!” and the prize recognises Dumitriu’s extensive body of artwork exploring different aspects of microbiology.

Plague Dress now on show in Contagious! at the Rijksmuseum Boerhaave in Leiden

“Plague Dress” installation view at the Rijksmuseum Boerhaave (Image credit: Fred Ernst)

Anna Dumitriu’s Plague Dress is part of a major new exhibition entitled Contagious! at Rijksmuseum Boerhaave, Netherlands. It is a particularly suitable location for the work as the museum was formerly a ‘Pest House’ for the care of Plague victims and holds van Leeuwenhoek’s microscopes, through which he first saw bacteria, in their collection. In a twist of fate, this long planned exhibition opening was delayed due to the COVID-19 pandemic but now the exhibition has finally been opened by the King of the Netherlands on 16th July 2020, the exhibition continues until 9th January 2022. Check the museum website for visitor information as infection control protocols for visitors will be in place.

Current and Forthcoming ArchaeaBot Exhibitions

“ArchaeaBot: A Post Climate Change, Post Singularity Life-form” installation view at Ars Electronica Festival 2018 (photo by Vanessa Graf)

ArchaeaBot: A Post Climate Change, Post Singularity Life-form” is an underwater robotic installation by Anna Dumitriu and Alex May that explores what ‘life’ might mean in a post-singularity and post-climate change future. Based on new research on archaea (a group of unicellular micro-organisms believed to be the oldest form of life on earth adapted to life in extreme conditions) combined with the latest innovations in artificial intelligence and machine learning, the artists have tried to create the ultimate’ species for the end of the world.

ArchaeaBot on show now at the Touch Me Festival in Zagreb

“ArchaeaBot: A Post Climate Change, Post Singularity Life-form” in the Touch Me Festival at Nikolai Tesla Technical Museum in Zagreb
(image credit: Vanja Babić/Kontejner)

“ArchaeaBot” is on exhibition as part the EMAP Exhibition “OPEN – Living Beings and Their Dangerous Liaisons” as part of the Touch Me Festival by Kontejner from from 17th September – 3rd October 2020 in the HALA V of the Nikolai Tesla Technical Museum in Zagreb, Croatia.

SUPERNATURAL: Sculptural Visions of the Future at Kunsthalle Tubingen from October 2020 until July 2021

“ArchaeaBot” will be part of SUPERNATURAL: Sculptural Visions of the Future at KUNSTALLE TÜBINGEN, Germany, from 10th October 2020 – 3rd July 2021. The exhibition explores the future of physicality in the age of the Anthropocene.

CAFA Art Museum (CAFAM), Beijing, China in 2021

“ArchaeaBot: A Post Climate Change, Post Singularity Life-form” Installation View at ZHI Art Museum in Chengdu, China

“ArchaeaBot” will be part of “Topologies of the Real” at CAFA Art Museum, as part of the CAFAM Techne Triennial in Beijing, China. The exhibition was postponed due to the COVID-19 Pandemic and the new opening date is being planned for 2021.

“ArchaeaBot: A Post Climate Change, Post Singularity Life-form” Installation View at HeK Basel

“ArchaeaBot: A Post Climate Change, Post Singularity Life-form” is the result of collaboration with researcher/cryomicroscopist Amanda Wilson within the framework of the EU MARA project, which is based at Imperial College. Additionally the artists are collaborating with Daniel Polani, Professor of Artificial Intelligence in the School of Computer Science at the University of Hertfordshire.

Anna Dumitriu and Alex May have developed this work through an artistic residency at LABoral in Gijon, Spain. The residence is part of the first edition of the European Media Art Platform (EMAP), aimed at European artists working with new technologies. The EMAP programme aims to encourage collaboration between artists and institutions using these media. LABoral is part of the network of members of the platform along with ten other prestigious European institutions. “ArchaeaBot” is co-funded by the Creative Europe Programme of the European Union, and The Arts Council England.

“ArchaeaBot” premiered as part of “Error in Progress” at the Ars Electronica Festival in 2018 and has subsequently toured to LABoral Centro de Arte y Creación Industrial in Gijón, Spain, Rencontres Bandits-Mages “Unstable Reality and Shifting Knowledge: Mending the Fabric of the World” in Bourges, France, IMPAKT in Utrecht, Netherlands as part of “A World Without Us”, Silbersalz Festival in Halle, Germany, the 18th WRO Media Art Biennale in Wroclaw, Poland, HeK in Basel, Switzerland as part of “Entangled Realities – Living with Artificial Intelligence”, Furtherfield in London, UK  as part of “Time Portals”, “On/Off” at the Museum of Ethnography in Lviv, Ukraine, “Oceans 4.0“ at FACT in Liverpool, UK, “Submerge” at the Science Gallery Bengaluru, India, Survival of the Fittest at Kunstpalais Erlangen, Germany, and “Quarantine” as part of the Ars Electronica 2020: Adriatic Garden, curated by Kontejner as part of their EMAP Programme, at Art Workshop Lazareti Dubrovnik, Croatia.

New Commission Exploring Tuberculosis Genomics premiered at Moscow EVERART International Festival of Contemporary Art

“Susceptible”

Anna Dumitriu was awarded a DRIVA Arts DRIVA commission and worked with digital artist Alex May and the CRyPTIC Project (Comprehensive Resistance Prediction for Tuberculosis: an International Consortium) at the University of Oxford (Modernising Medical Microbiology) to create “Susceptible“, a high impact data driven immersive art installation that communicates significant innovations in combatting antibiotic resistance in tuberculosis using bacterial genomics, and explores how heath is a global issue using Gatwick Airport data from before, during and after the COVID-19 pandemic. The project has curatorial support from Irini Papadimitriou, Creative Director of FutureEverything. A video version of the work premiered as part of Neural Network Apophenia curated by Artur Konstantinov for the Moscow based EVERART international festival of contemporary art, which took place online between 3rd July and 3rd August 2020. Further exhibition plans are in development.

Cyberspecies Proximity premiered S+T+ARTS Residencies Days at CENTQUATRE in Paris

“Cyberspecies Proximity” at Centquatre, Paris

The Cyberspecies Proximity project premiered at the STARTS RESIDENCIES DAYS: THE FINAL EVENT from 28th February to 1st March at CENTQUATRE in Paris, France. The project explores what it will mean to share our sidewalks, elevators and transport systems in close proximity with mobile intelligent robots. The Cyberspecies Proximity robot combines the way-finding technologies used in delivery and maintenance robots with an ability to communicate and manipulate our emotions through body-language, embodied in a delicate humanoid form. The work challenges audiences to confront the technological, ethical, and societal questions raised by the advent of urban socially-aware robots. The work was supported via an EU S+T+ARTS Residency and was the result of an in depth residency with the Human Robot Co-mobility Project at Schindler. Further exhibition plans are in development.

ASN/ASSF Art and Science Program with the CHIC Research Project

Biotechnology from the Blue Flower

Anna Dumitriu and Alex May have been awarded an artists residency the explore the innovative biotechnology of chicory plants in their project Biotechnology from the Blue Flower. A work-in-progress exhibition showcasing the initial research from this three year project is being planned. A work-in-progress exhibition Art Science Synergy is planned for the World BioMarkets Conference in Amsterdam 29th-31st March 2021 .

New Commission for the Art/Data/Heath Project and exhibitions with The Regency Townhouse

“Shielding”

Anna Dumitriu has developed a new commission entitled “Shielding” for the Art/Data/Health Project led by Dr Aristea Fotopoulou at the University of Brighton, inspired by the work of community charity RISE. The commission looks at the impact of self-isolation and quarantine due to the COVID-19 Pandemic on the issue of domestic abuse and violence from a global perspective. The project was due to premiere in the enigmatic Regency Townhouse kitchen space (UK) in May 2020 but the show was unable to due to the pandemic restrictions. In the meantime the Regency Townhouse is hosting an online exhibition of works entitled “Art & Infection: The BioArt of Anna Dumitriu“.

Fermenting Futures for the 15th International Congress on Yeasts in Vienna in August 2021

“Fermenting Futures” Work in Progress

Anna Dumitriu and Alex May are working with Professor Diethard Mattanovich to develop a project around the history and future of yeast at the Institute of Microbiology and Microbial Biotechnology at the Universitat fur Bodenkultur in Vienna. The project will culminate in an exhibition at the 15th International Congress on Yeasts in Vienna in August 2021 with an extensive linked programme in planning. The project ‘in progress’ featured as part of the STARTS Journeys programme at Ars Electronica 2020 with a video and a short documentary with interviews with project collaborators as well as the artists.

New Residency with Department of Conservation of Antiquities and Works of Art at the University of Western Attica in Athens

Anna Dumitriu will undertake a two week residency in the Department of Conservation of Antiquities and Works of Art at the University of Western Attica in Athens to explore the biology and chemistry of the conservation of antiquities and discuss how these ideas will impact the preservation of contemporary artworks including BioArt works including her own artistic experiments resulting from the visit, thus kick-starting discussions around the preservation of contemporary BioArt in the context of a major institution.

New Collaboration with Dr Jane Freeman at the The Healthcare Associated Infection Group at the University of Leeds

Anna Dumitriu will be collaborating with Dr Jane Freeman at the University of Leeds on a new project around the the bacterial infection Clostridium difficile and the importance of healthcare science as a field. The project is supported via Outreach Funding as part NIHR/HEE ICA Clinical Lectureship awarded to Dr Jane Freeman (Funder: National Institute for Health Research/Health Education England).

New Residency “The Mutability of Memories and Fates” with The Institute of Epigenetics and Stem Cells in München

“Cell Death” (2000) etching

Anna Dumitriu has been awarded a new artist’s residency with the Institute of Epigenetics and Stem Cells at Helmholtz Zentrum in München. The project will respond to the concept of cellular memory and cell fates, and explore how the cell packages DNA and what impact that has. It will focus on the mutability of the cell, or what controls its constancy, and how this affects gene expression and the nature of life. The project is curated by Dr Claudia Schnugg.

New Collaboration with the EU CAPABLE Project

Anna Dumitriu and Alex May are beginning a new artistic collaboration with the EU funded CAPABLE project. CAPABLE aims to develop a virtual cancer coaching system to support the emotional, educational and social needs of patients and their home carers, as well as decision support needs of treating physicians, using cutting edge technologies for personalised medicine such as artificial intelligence, big data analysis and wearable technologies. The artists will deeply engage with CAPABLE research to create a new body of artworks. Both artists have extensive experience in working with artificial intelligence and wearable technologies and exploring the implications of emerging digital technologies in societal and cultural contexts. Together they will help CAPABLE reach out to diverse audiences across a range of contexts including art galleries, festivals and patient waiting areas, and enable the telling of complex stories in multi-layered, accessible ways through art objects, workshops, and discussion events. Learn more about the project here.

We are honoured to receive this fantastic opportunity to work with CAPABLE and explore this important project to benefit cancer patients and carers. As artists, we will explore how CAPABLE are using artificial intelligence and wearable technologies to create personalised medicine solutions and consider the personal, ethical, cultural and societal implications of this research” says Anna Dumitriu. 

Invisible You: The Human Microbiome as part of Invisible Worlds at Eden Project

“Don’t Try This at Home”

The flagship exhibition Invisible You: The Human Microbiome is part of Invisible Worlds initiative at Eden Project in Cornwall, UK.

Invisible Worlds is a major permanent exhibition that reveals the world beyond our senses introducing the interconnectedness between life and the Earth’s environments. The exhibition features Don’t Try This At Home and The Human Super-orgamism but is temporarily closed due to pandemic precautions.

“The Human Super-organism”