Anna Dumitriu (1969) is an award winning, internationally renowned, British artist who works with BioArt, sculpture, installation, and digital media to explore our relationship to infectious diseases, synthetic biology and robotics. She has an extensive international exhibition profile including ZKM, Ars Electronica, BOZAR, The Picasso Museum, The V & A Museum, Philadelphia Science Center, MOCA Taipei, HeK Basel, LABoral, Art Laboratory Berlin, the 6th Guangzhou Triennial, and The History of Science Museum Oxford.
She was the 2018 President of the Science and the Arts section of the British Science Association. Her work is held in several major public collections, including the Science Museum London and Eden Project.
Dumitriu is a renowned speaker and has presented talks on her work at prestigious venues including TATE Modern, Princeton University, Imperial College London, The University of Oxford, La Musee de la Chasse et de la Nature, and UCLA.
Her work is featured in many books including Bio Art: Altered Realities published by Thames and Hudson in 2016 and many other significant publications across contemporary art and science including Frieze, Artforum International Magazine, Leonardo Journal, The Art Newspaper, Art Quarterly, Nature and The Lancet.
She holds visiting research fellowships at the University of Hertfordshire, Brighton and Sussex Medical School, and Waag, as well as artist-in-residence roles with the Modernising Medical Microbiology Project at the University of Oxford, and with the National Collection of Type Cultures at Public Health England.
Her current collaborations also include “Biotechnology from the Blue Flower” with the EU H2020 CHIC Consortium exploring new plant breeding methods and CRISPR, “Fermenting Futures” focussed on yeast biotechnology in collaboration with the Institute of Microbial Biotechnology at BOKU in Vienna, “The Mutability of Memories and Fates” with Institute of Epigenetics and Stem Cells at Helmholtz Zentrum München, and an exploration of wearable technologies and artificial intelligence with the EU CAPABLE Project.
She recently completed her “Cyberspecies Proximity” project with Schindler as part of an EU Vertigo STARTS residency exploring how we will share cities of the future with robots, and “ArchaeaBot: A Post Singularity and Post-Climate Change Life-form” an underwater robot based on the most ancient forms of life on each, created through an EMAP residency with LABoral.
She has worked with the Liu Laboratory for Synthetic Evolution at The University of California in Irvine (USA) to explore synthetic biology and the resulting artworks were featured in the ground-breaking exhibition “WETWARE” at the Beall Center for Art and Technology in Irvine (USA) curated by Jens Hauser and David Familian. Notably she also worked with the MRG-Grammar project to create what the CRISPR Journal described as “perhaps the first application of CRISPR gene editing technology in BioArt” and collaborated with BeyondSeq at the University of Birmingham to explore the biochemistry of DNA and visually observe her CRISPR edit using super resolution laser microscopy.
Dumitriu is director of The Institute of Unnecessary Research (IUR), a global hub for artists and researchers working experimentally with curiosity-driven research which she founded in 2004. She was also lead artist on the Creative Europe supported project “Trust Me, I’m an Artist” which investigates the novel ethical problems that arise when artists create artwork in laboratory settings. Her book of the same name, co-authored with Professor Bobbie Farsides, was published in 2014.
In 2012 Dumitriu received the Society for Applied Microbiology Communication Award and in 2020 she was awarded the Grand Prize: Best Art Overall in the Microbe Art 2020 Competition by the Federation of European Microbiology Societies (FEMS).
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“Psychobiotics” as part of “Hypersymbiotics™” is kindly supported by GenScript. Genscript is a world leader in biotechnology reagent services, providing a diverse array of life sciences products and services to over 100 countries worldwide since being established in 2002. As part of its commitment to providing high quality and attentive service to its loyal clients, GenScript has expanded its scope to supporting the life sciences in more ways than one. With a portfolio that includes custom gene synthesis, therapeutic antibody development, CRISPR/Cas9 gene editing and more, GenScript is uniquely positioned to equip scientifically inquisitive minds with the tools and expertise they need to succeed. From providing scientific researchers with the reagents and optimized workflows they need to carry out their research, to supporting scientific educators and artists seeking to both broaden and heighten scientific knowledge around the world, GenScript continues to strive towards their vision of being the most reliable biotech company in the world, in service of a better and healthier future.
“Shielding” was commissioned as part of the AHRC funded ART/ DATA/HEALTH : data as creative material for health and wellbeing, led by Dr Aristea Fotopoulou at the University of Brighton (funded by the Arts and Humanities Research Council. AH/S004564/1 2019-2021). Anna Dumitriu’s project is inspired by the work of community domestic abuse and violence charity RISE. firstname.lastname@example.org http://www.artdatahealth.org @artdatahealth1
The FEAT Residency Project – FEAT is funded by the EU backed programme FET (Future and Emerging Technologies) Open. It has received funding from the European Union’s Horizon 2020 research and innovation programme under grant agreement No 686527 (H2020-‐FETOPEN-‐2015-‐CSA)
The Hunt for New Antimicrobials project – funded through the Artist in Residence Scheme 2016 of the Centre for Chronic Diseases and Disorders (C2D2) at the University of York. The scheme is supported by the Wellcome Trust [ref: 105624] and the University of York.